Products related to Process:
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Landscape: Pattern, Perception and Process
Landscapes develop and evolve through an interacting series of processes – climatic, geological, ecological and cultural – over varying periods of time.These processes shape the structure and character of the landscapes which we experience.Over time, distinctive patterns emerge – ranging in scale from the distribution of small plants to the sculptured sides of a huge canyon.Our perception of these patterns goes beyond just their visual appreciation – beautiful though they may be – into a richer understanding of how we experience our environment. By understanding this complex pattern–process interaction we can obtain a deeper awareness of landscape and our place in it – as inhabitants and as shapers.The book explores the nature of patterns and ways of classifying them before studying the nature of perception (primarily visual but including other senses), then proceeds to relate this perception to aesthetics and from there to the design process.From this point the main driving processes in landscape are introduced alongside the resulting patterns, these being climatic, landform, ecosystem and cultural aspects. It is this integrative approach of looking at landscape as a kind of self-organising system, overlaid by conscious human planning activities and the unity of pattern and process, which makes this book unique.Landscape draws from a wide range of neighbouring disciplines, of which the landscape planner or designer needs to be aware, but which are often taught as distinct elements.Bell binds these fundamentals together, which enables the landscape to be ‘read’, and this reading to be used as the basis for planning and design. This second edition updates and refreshes the original material with added sections and new photos, particularly making use of the developments in satellite photography.Featuring full colour throughout, this textbook is ideal for anyone studying landscape architecture or any of the disciplines which intersect with the landscape, and which affect it.
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Representing the Landscape Project : The Creative Process and Design Education
Representation is an indispensable creative process, able to develop our thinking, making us more aware and weaving a new connection with the landscapes surrounding us.For the landscape architect, representation is fundamental to unravelling all those values that underlie reality.It also allows the development of an analytical, introspective and observational capacity that goes beyond the mental and social structures we have grown up with.Representation is, therefore, a proper form of communication that translates thoughts into images, managing to develop a landscape sensitivity of which the designer is the spokesman and interpreter.In landscape architecture, there is always the tendency to consider nature systemically as if painting and botany are inextricably linked.Despite everything, representation is currently experiencing a crisis – especially in the school system where probably it is not considered enough.Instead, representation can be understood as a tool able to stimulate the creativity of designers and students in their creative process.Sensibility, awareness and creativity are the central values of representation, which, thanks to the attention to terrestrial, communicative and personal phenomena, make culture, ecology and landscape expressive complements of the project.
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The Object as a Process : Essays Situating Artistic Practice
How does artistic practice lead to the production of knowledge?How does, in turn, artistic knowledge relate to its material base?How does contingent materiality guide the artist towards finding form and developing a statement?This volume is dedicated to the object as a process in order to offer new insights into the ways the object - broadly construed, comprising digital and other non-classical objects - becomes an active element in artistic practice.
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Pattern and Process : Landscape Prehistories from Whittlesey
The King’s Dyke and Bradley Fen excavations occurred within the brick pits of the Fenland town of Whittlesey, Cambridgeshire.The investigations straddled the south-eastern contours of the Flag Fen Basin, a small peat-filled embayment located between Peterborough and the western limits of Whittlesey ‘island’.Renowned principally for its Bronze Age discoveries at sites such as Fengate and Flag Fen, the Flag Fen Basin also marked the point where the prehistoric River Nene debouched into the greater Fenland Basin. A henge, two round barrows, an early fieldsystem, metalwork deposition and patterns of sustained settlement along with metalworking evidence helped produce a plan similar in its configuration to that revealed at Fengate.In addition, unambiguous evidence of earlier second millennium BC settlement was identified together with large watering holes and the first burnt stone mounds to be found along Fenland’s western edge. Genuine settlement structures included three of Early Bronze Age date, one Late Bronze Age, ten Early Iron Age and three Middle Iron Age.Later Bronze Age metalwork, including single spears and a weapon hoard, was deposited in indirect association with the earlier land divisions and consistently within ground that was becoming increasingly wet. The large-scale exposure of the base of the Flag Fen Basin at Bradley Fen revealed a beneath-the-peat or pre-basin landscape related to the buried floodplain of an early River Nene.Above all, the revelation of sub-fen occupation means we can now situate the Flag Fen Basin in time as well as space.
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Which camera is suitable for landscape and street photography?
For landscape photography, a camera with a high resolution sensor and wide dynamic range is ideal to capture the details and colors of the scenery. A full-frame DSLR or mirrorless camera with a wide-angle lens would be a good choice for capturing the vastness of landscapes. For street photography, a compact and discreet camera with fast autofocus and good low-light performance is preferred. A mirrorless camera with a prime lens or a high-quality compact camera would be suitable for capturing candid moments and street scenes without drawing too much attention.
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Which camera lens is suitable for product photography?
A macro lens is typically the best choice for product photography. Macro lenses are designed to capture small subjects with great detail and clarity, making them ideal for capturing the intricate details of products. They also have a close focusing distance, allowing you to get up close to the product for detailed shots. Additionally, a lens with a focal length between 50mm and 100mm is recommended for product photography as it provides a natural perspective and minimizes distortion.
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Which camera lens is suitable for street photography?
A prime lens with a focal length between 35mm and 50mm is typically considered suitable for street photography. These lenses offer a natural field of view that closely resembles what the human eye sees, making them great for capturing candid moments in urban environments. Additionally, prime lenses are often compact and lightweight, which is ideal for street photographers who need to move quickly and discreetly. Overall, a 35mm or 50mm prime lens is a popular choice among street photographers for its versatility and ability to capture authentic moments.
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Which camera and lens are suitable for animal photography?
For animal photography, a camera with a fast autofocus system and high burst rate is essential to capture fast-moving subjects. A good choice would be a DSLR or mirrorless camera with at least 20 megapixels for high-quality images. As for the lens, a telephoto lens with a focal length of 70-200mm or longer is recommended to get close-up shots of animals without disturbing them. Additionally, a lens with image stabilization can help reduce camera shake when shooting handheld in low light conditions.
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Process
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Light The Dark : Writers on Creativity, Inspiration, and the Artistic Process
A stunning guide to finding creative inspiration and how it can illuminate your life, your work, and your art--from Stephen King, Junot Diaz, Elizabeth Gilbert, Amy Tan, Khaled Hosseini, Roxane Gay, Neil Gaiman, and many more acclaimed writers What inspires you?That's the simple, but profound question posed to forty-six renowned authors in LIGHT THE DARK.Each writer begins with a favorite passage from a novel, a song, a poem--something that gets them started and keeps them going with the creative work they love.From there, incredible lessons and stories of life-changing encounters with art emerge, like how sneaking books into his job as a night security guard helped Khaled Hosseini learn that nothing he creates will ever be truly finished. Or how a college reading assignment taught Junot Diaz that great art can be a healing conversation, and an unexpected poet led Elizabeth Gilbert to embrace an unyielding optimism, even in the face of darkness.LIGHT THE DARK collects the best of The Atlantic's much-acclaimed -By Heart- series edited by Joe Fassler and adds brand new pieces, each one paired with a striking illustration.Here is a guide to creative living and writing in the vein of Daily Rituals, Bird by Bird, and Big Magic for anyone who wants to learn how great writers find inspiration--and how to find some of your own. CONTRIBUTING AUTHORS: Elizabeth Gilbert, Junot Diaz, Marilynne Robinson, Jonathan Lethem, Michael Chabon, Aimee Bender, Mary Gaitskill, Stephen King, Neil Gaiman, Roxane Gay, Angela Flournoy, Jonathan Franzen, Yiyun Li, Leslie Jamison, Claire Messud, Edwidge Danticat, David Mitchell, Khaled Hosseini, Ayana Mathis, Kathryn Harrison, Azar Nafisi, Hanya Yanagihara, Jane Smiley, Nell Zink, Emma Donoghue, Jeff Tweedy, Eileen Myles, Maggie Shipstead, Sherman Alexie, Andre Dubus III, Billy Collins, Lev Grossman, Karl Ove Knausgaard, Charles Simic, Jim Shepard, T.C.Boyle, Tom Perrotta, Viet Than Nguyen, William Gibson, Mark Haddon, Ethan Canin, Jessie Ball, Jim Crace, and Walter Mosley.
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Making Marks : Architects' Sketchbooks – The Creative Process
Making Marks follows up the highly successful Architects’ Sketchbooks, which presented, for the first time, the rich breadth of sketches being created by contemporary architects following the digital revolution.Taking a post-digital perspective, the sixty renowned architects whose work is collected here show how drawing and new forms of manual presentation have been refined since the reawakening of this basic technique.Notepads, stacks of paper, pencils and fine-point pens are as present in the architect’s studio as phalanxes of screens.Revealing why and how hand-drawing still matters, this global survey presents the freehand drawings, vibrant watercolours and abstract impressions of rising talents and well-known names, including Jun Igarashi and Brian MacKay-Lyons.Will Jones’s introduction reviews the importance of the physical sketch and its vital part in the architect’s creative process. Spanning diverse approaches, styles and physical forms, i>Making Marks is not merely a compendium of the preoccupations and stylistics of current practice, but a rich and varied insight into architectural creativity.
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Push Process
'More speed, more light, more time. But this is the fastest possible film, pushed as hard as it can be pushed; the lens wide open to catch every drop of brightness; the slow exposure shaking the image apart.Right up at the edge. Go farther, closer.'VENICE, 2000. Richard is a postgraduate student living in the city to research its past.He's supposed to be working in the archive, but he meets Merlo and Lars, two art students who are more interested in Venice's present.He decides to pick up a camera and join them. The world comes alive for Richard through photographs: for the first time, he feels connected to a place - and other people.He's determined to continue, whatever the cost. Push Process is a novel about art, friendship and being European, illustrated with over fifty black-and-white photographs of Venice.
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Which camera and lens are suitable for wildlife photography?
For wildlife photography, a camera with a fast continuous shooting speed, high resolution, and good low-light performance is ideal. Cameras like the Canon EOS 90D, Nikon D500, or Sony Alpha a6600 are popular choices. When it comes to lenses, a telephoto lens with a focal length of at least 300mm is recommended to capture distant wildlife without disturbing them. Lenses like the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, or Sony FE 200-600mm f/5.6-6.3 G OSS are great options for wildlife photography.
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What is the best camera and lens for wildlife photography?
The best camera for wildlife photography is typically a DSLR or mirrorless camera with a high resolution sensor, fast autofocus system, and good low-light performance. Popular choices include the Canon EOS 5D Mark IV, Nikon D850, or Sony A7R IV. For lenses, a telephoto lens with a focal length of at least 300mm is recommended for capturing wildlife from a distance. Some popular options include the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S 200-500mm f/5.6E ED VR, or Sony FE 100-400mm f/4.5-5.6 GM OSS. Ultimately, the best camera and lens will depend on your budget, specific needs, and personal preferences.
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What is the difference between camera settings for landscape shots and portrait photos?
The main difference between camera settings for landscape shots and portrait photos is the aperture setting. For landscape shots, a smaller aperture (higher f-stop number) is typically used to achieve a larger depth of field and ensure that both the foreground and background are in focus. On the other hand, for portrait photos, a larger aperture (lower f-stop number) is often used to create a shallow depth of field, resulting in a blurred background that helps to emphasize the subject. Additionally, the focal length and composition may also vary between the two types of photography.
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'Focus on the solution and not on the process.'
Focusing on the solution means keeping the end goal in mind and working towards it, rather than getting caught up in the details of how to get there. By concentrating on the solution, we can remain open to different paths and possibilities, allowing for more creativity and flexibility in problem-solving. This approach can also help to maintain a positive and forward-thinking mindset, which can be beneficial in overcoming obstacles and achieving success.
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