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Tacita Dean : Landscape, Portrait, Still Life
In 2018 the National Portrait Gallery, the National Gallery and the Royal Academy of Arts will host major exhibitions of the work of Tacita Dean.Each will provide a different encounter with her art.This book brings together new and existing works from all three exhibitions - LANDSCAPE, PORTRAIT, STILL LIFE - with texts offering a unique insight into Dean's work by leading writers including Alexandra Harris, Alan Hollinghurst and Ali Smith. Published at a particularly prolific period for Dean, this book provides a new and authoritative view of a hugely influential artist who has been at the forefront of British art for over twenty years.The volume is published with three different covers.
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Magazine book still life photography studio decoration props creative posing books photography props
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Still Pictures : On Photography and Memory
For decades, Janet Malcolm's books and dispatches for the New Yorker have poked and prodded at biographical convention, gesturing towards the artifice that underpins both public and private selves.Here, Malcolm turns her gimlet eye on her own life, examining twelve family photographs to construct a memoir from camera-caught moments, each of which pose questions of their own.She begins with the picture of a morose young girl on a train, leaving Prague at the age of five in 1939.From there we follow her to the Czech enclave of Yorkville in Manhattan, where her father, a psychiatrist and neurologist, and her mother, an attorney from a bourgeois family, traded their bohemian, Dada-inflected lives for the ambitions of middle-class America.From her early, fitful loves to evenings at the old Metropolitan Opera House to her fascination with what it might mean to be a "bad girl," Malcolm assembles a composite portrait of a New York childhood, one that never escaped the tug of Europe and the mysteries of fate and family.Later, Malcolm delves into her marriage to Gardner Botsford, the world of William Shawn's New Yorker, and the libel trial that led her to become a character in her own drama. Displaying the sharp wit and astute commentary that are Malcolmian trademarks, this brief volume develops into a memoir like no other.
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Still Pictures : On Photography and Memory
For decades, Janet Malcolm's books and dispatches for the New Yorker have poked and prodded at biographical convention, gesturing towards the artifice that underpins both public and private selves.Here, Malcolm turns her gimlet eye on her own life, examining twelve family photographs to construct a memoir from camera-caught moments, each of which pose questions of their own.She begins with the picture of a morose young girl on a train, leaving Prague at the age of five in 1939.From there we follow her to the Czech enclave of Yorkville in Manhattan, where her father, a psychiatrist and neurologist, and her mother, an attorney from a bourgeois family, traded their bohemian, Dada-inflected lives for the ambitions of middle-class America.From her early, fitful loves to evenings at the old Metropolitan Opera House to her fascination with what it might mean to be a "bad girl," Malcolm assembles a composite portrait of a New York childhood, one that never escaped the tug of Europe and the mysteries of fate and family.Later, Malcolm delves into her marriage to Gardner Botsford, the world of William Shawn's New Yorker, and the libel trial that led her to become a character in her own drama. Displaying the sharp wit and astute commentary that are Malcolmian trademarks, this brief volume develops into a memoir like no other.
Price: 10.99 £ | Shipping*: 3.99 £ -
Still Nothing Still
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Still Lives : Jewish Photography in Nazi Germany
How German Jews used photographs to document their experiences in the face of National SocialismStill Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism.In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs.German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes.The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions.Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews’ reactions to the changing landscapes of post-1933 Germany.Here, the authors claim that these reactions complement, complicate, and, sometimes, undermine the contents of contemporaneous written sources. Still Lives develops a new methodology for historians to use while reading and analyzing photographs, and shows how one can highlight an image’s role in a narrative that comments on, and assigns meaning to, the reality it documents.In times of radical uncertainty, numerous German Jews used photography to communicate their intricate, confused, and conflicting expectations, fears, and beliefs.Through careful analysis of these photographs, this book lays the foundations for a new history of the German-Jewish experience during the National Socialist years.
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Still Bollox But Still Here
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Still Bollox But Still Here
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Which camera is suitable for landscape and street photography?
For landscape photography, a camera with a high resolution sensor and wide dynamic range is ideal to capture the details and colors of the scenery. A full-frame DSLR or mirrorless camera with a wide-angle lens would be a good choice for capturing the vastness of landscapes. For street photography, a compact and discreet camera with fast autofocus and good low-light performance is preferred. A mirrorless camera with a prime lens or a high-quality compact camera would be suitable for capturing candid moments and street scenes without drawing too much attention.
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Which camera lens is suitable for product photography?
A macro lens is typically the best choice for product photography. Macro lenses are designed to capture small subjects with great detail and clarity, making them ideal for capturing the intricate details of products. They also have a close focusing distance, allowing you to get up close to the product for detailed shots. Additionally, a lens with a focal length between 50mm and 100mm is recommended for product photography as it provides a natural perspective and minimizes distortion.
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Which camera lens is suitable for street photography?
A prime lens with a focal length between 35mm and 50mm is typically considered suitable for street photography. These lenses offer a natural field of view that closely resembles what the human eye sees, making them great for capturing candid moments in urban environments. Additionally, prime lenses are often compact and lightweight, which is ideal for street photographers who need to move quickly and discreetly. Overall, a 35mm or 50mm prime lens is a popular choice among street photographers for its versatility and ability to capture authentic moments.
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Which camera and lens are suitable for animal photography?
For animal photography, a camera with a fast autofocus system and high burst rate is essential to capture fast-moving subjects. A good choice would be a DSLR or mirrorless camera with at least 20 megapixels for high-quality images. As for the lens, a telephoto lens with a focal length of 70-200mm or longer is recommended to get close-up shots of animals without disturbing them. Additionally, a lens with image stabilization can help reduce camera shake when shooting handheld in low light conditions.
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Which camera and lens are suitable for wildlife photography?
For wildlife photography, a camera with a fast continuous shooting speed, high resolution, and good low-light performance is ideal. Cameras like the Canon EOS 90D, Nikon D500, or Sony Alpha a6600 are popular choices. When it comes to lenses, a telephoto lens with a focal length of at least 300mm is recommended to capture distant wildlife without disturbing them. Lenses like the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, or Sony FE 200-600mm f/5.6-6.3 G OSS are great options for wildlife photography.
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What is the best camera and lens for wildlife photography?
The best camera for wildlife photography is typically a DSLR or mirrorless camera with a high resolution sensor, fast autofocus system, and good low-light performance. Popular choices include the Canon EOS 5D Mark IV, Nikon D850, or Sony A7R IV. For lenses, a telephoto lens with a focal length of at least 300mm is recommended for capturing wildlife from a distance. Some popular options include the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S 200-500mm f/5.6E ED VR, or Sony FE 100-400mm f/4.5-5.6 GM OSS. Ultimately, the best camera and lens will depend on your budget, specific needs, and personal preferences.
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Can you still make money with landscape and nature photography on stock photo platforms?
Yes, it is still possible to make money with landscape and nature photography on stock photo platforms. There is a demand for high-quality, unique images of natural landscapes and wildlife, and many businesses and individuals are willing to pay for these images. However, the market is competitive, so it is important to focus on creating exceptional and distinctive images that stand out from the crowd. Additionally, photographers should consider diversifying their income streams by selling their work on multiple platforms and exploring opportunities for licensing their images for commercial use.
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What is the difference between camera settings for landscape shots and portrait photos?
The main difference between camera settings for landscape shots and portrait photos is the aperture setting. For landscape shots, a smaller aperture (higher f-stop number) is typically used to achieve a larger depth of field and ensure that both the foreground and background are in focus. On the other hand, for portrait photos, a larger aperture (lower f-stop number) is often used to create a shallow depth of field, resulting in a blurred background that helps to emphasize the subject. Additionally, the focal length and composition may also vary between the two types of photography.
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